Thaddeus Erdahl was born and raised in La Porte City, Iowa. He has exhibited his sculpture and presented workshops regionally and nationally throughout the United States.
His art and background in education started at the University of Northern Iowawhere he received his BA in Art Education and a BFA in Ceramics. Upon graduation, he substitute taught in the public school system, instructed ceramics courses at a local art center and served as an interim art educator. Thaddeus actively practiced and taught a variety of art media including ceramics, drawing, assemblage, sculpture, painting, and graphic design.
Thaddeus received his MFA in Ceramics from the University of Florida where he was a University of Florida Alumni Fellowship recipient during his three years of graduate study, from 2006-2009.
In the summer of 2008, he attended Think Tank III, a national arts in higher education symposium, as a Graduate Fellowship Recipient. In 2009 he was selected as one of four Artists-in-Residents at Arrowmont School of Arts and Crafts in Gatlinburg TN for an 11 month residency program.
Most recently Thaddeus was recognized as one of four short listed artist for the inaugural American Craft Council Emerging Voice in Craft Award. Thaddeus moved to the North East in 2010 and is currently living in Princeton NJ pursuing his studio art career and acting as the head of the Lower School Arts program at Princeton Day School.
When considering the murky reservoir of human history, it is difficult to separate legend from reality. Through my work, I examine human myth in the modern age, specifically on characters that emerge from our society's underbelly; the less popular folk. Using their "legends", I feel compelled to tell stories that illustrate analogies in life; blending together archetypes, shared experiences, and my own personal mythology. Who we are in the world is a kaleidoscope of interpretations, biased memories, and personal connections.
Ceramic sculpture and portraiture, in particular, are forms of a visual narration that I use to satisfy my urge for documenting what I see in human nature. Evocative of well-loved toys and obsolete artifacts, I use the implied history of these objects to encourage the viewer to disconnect from the present situation and conjure their own individual narratives from my sculptures.
Working with concepts that are personal and sometimes narcissistic perceptions of the gloomy side of life, dark humor is my buffer. Dry or irreverent, it is humor that mystifies the tragic.